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TALKINGABOUTTHESYMBOLSINTHEENVIRONMENTOFTHEUSEOFARTANDDESIGNABSTRACTTHEINHERITANCEANDINNOVATIONOVERTHEYEARSTHERELATIONSHIPBETWEENARTANDDESIGNENVIRONMENTHASBEENTHEFOCUSOFATTENTIONTHISARTICLEHOPESFORTHEDESIGNOFSYMBOLSUSEDTOEXPLORETHECULTURE,ABOUTTHEMYSTERIESOFINHERITANCEANDINNOVATIONOFTHETRACEOFSENTIMENTKEYWORDSDEFORMATIONGRAMMARSEPARATISTSYMBOLSCONSTITUTEINHERITANCEANDINNOVATIONOVERTHEYEARSTHERELATIONSHIPBETWEENARTANDDESIGNENVIRONMENTHASBEENTHEFOCUSOFATTENTIONINFACT,FROMTHELINGUISTICPOINTOFVIEW,THISCONTRADICTIONISTHELANGUAGEOFSTABILITYANDVARIATIONBETWEENTHECONTRADICTIONASADESIGNERINTHEFORMOFDESIGNSUCCESSESANDFAILURESOFTHESUCCESSORFAILUREDEPENDSONTHEMASTER,“THETERM“THERICHANDTHEUSEOF“GRAMMAR“OFPROFICIENCYDESIGNERSTOMAKETHEIRWORKSBYOTHERSCANTRULYUNDERSTAND,WEMUSTCHOOSETHEAPPROPRIATE“WORD“ANDMUSTCOMPLYWITHTHE“GRAMMAR“THISDOESNOTMEANTHATDESIGNERSCANONLYFOLLOWTHEBEATENTRACK,NOPERSONALCONTRIBUTIONDESIGNERSSKILLFULLYUSETHENEWINDIVIDUALSYMBOLS,ORACONSCIOUSCHANGEININTERSYMBOLCOMBINATIONOFANUMBEROFCONVENTIONALRELATIONS,CREATENEWWORKSOFMOVING,WHICHISDESIGNINNOVATIONCOMPOSITIONHASA“SPECIFIC“COMPONENTAPPROACH,THATSEEMSTOBEVERYPLAININTHECOMPOSITIONOFTHESUDDENAPPEARANCEOFA“HETEROGENEOUS“ELEMENTS,MAKINGTHEPROGRAMITSELFISVERYPLAINTOACHIEVEUNEXPECTEDRESULTS,WITHASENSEOFINNOVATIONOFNEWSYMBOLSLIKETHIS“HETEROGENEOUS“INPEOPLESACCUSTOMEDTOTHINGSDIFFICULTTOAROUSEENOUGHATTENTIONANDINTERESTINCASE,SOMECOMMONSYMBOLSDEFORMATION,SPLITTING,ORTHEPREPARATIONOFTHECODETOCHANGETHEORDER,YOUCANPLAYACOMPELLING,THOUGHTPROVOKING,THESTRENGTHENINGOFENVIRONMENTALMESSAGINGLANGUAGEROLEUNITEDSTATESRENOWNEDARCHITECTCHARLESMOOREDESIGNEDTHECITYOFORLEANS,“ITALIANPIAZZA“ISBOLDINDESIGNELEMENTSTAKENFROMAVARIETYOFCLASSICALSYMBOLS,ANDSYMBOLICMEANSTOREPRODUCETHEMTHEENTIRESQUARETOACIRCULARPLANEBAROQUEFORTHECOMPOSITIONTOTHEGRADUALPROLIFERATIONOFBLACKANDWHITECONCENTRICCIRCLESANDTOTHESURROUNDINGPAVEMENTSURFACETOEXTENDOUTUNTILTHETHREESIDESOFTHESTREETENTRANCECLASSICALROMANCOLUMN,AFTERAFACELIFTTOTHEFACEOFNEWSHOWS,SUCHASTHECORINTHIANCOLUMNISUSEDINSTAINLESSSTEELCOLUMN,CANOPIESWALLCARVEDWITHTHELATINOF“THISFOUNTAINFORTHEPUBLICTOALLTHEPEOPLEWHOOFFERTHEGIFTS“OFTHEMESSAGEDORICCOLUMNONTHEFLOWINGDOWNGURGLE,ROUNDCOUPONONTHEMOLARSMILINGPORTRAIT,WATERISCONSTANTLYSPITFROMHISMOUTHHEREISNOTONLYFULLOFBRIGHTRICHATMOSPHEREOFAMODERNCOMMERCIAL,BUTALSOASTRONGATTACHMENTTOLOCALFEELINGSMAPSANDITALIANAPENNINEPENINSULA,SICILYANDSARDINIASPLANANCIENTROME,THEFIVECOLUMN,THEDEFORMATIONMOTIFCOMBINATIONSANDTHEARCDETRIOMPHECIRCULARPORTICOWAIKWONGHOPINFACT,YOUAREIMMEDIATELYAWARETHATITISAMOCKERYOFCLASSICALMARXISMTHISISAJOYOUS,ALMOSTCLASSICALTRADITIONAREHYSTERICALEMBRACEPLEASEDTODAY,AVARIETYOFSIDEBOXSTYLEBUILDINGWASCONSIDEREDALOOFINTHEHISTORICANDLOCALABOVEONLYHASTHETECHNOLOGYANDASMALLNUMBEROFFUNCTIONALSEMANTICSEMANTICS,THEREISNOROOMFORTHINKINGAFTERTASTE,THEENVIRONMENTHASLEDTOAPATHYANDBORINGCRITICISMTHISUSEOFINFORMATIONTHEORYTOEXPLAINTHEPRINCIPLETHATEFFECTIVEENVIRONMENTALINFORMATIONCONTAINEDINTHESYMBOLSYSTEMTOOINVIEWOFTHIS,POSTMODERNARCHITECTSVENTURILOUDLYCALLEDFOR“BUILDINGARICHCONTENT,WHILEBUILDINGTOINCLUDEOTHERASPECTSOFTHEMULTIDIMENSIONALART,EVENINCLUDINGTHELANGUAGE,SOTHATITISNOLONGERAMERETOOLFORTHESPACE“ITADVOCATESENVIRONMENTALCOMPLEXITYANDCONTRADICTORYNATUREOFMODERNISMPROMOTEDBYSUBSTITUTESIMPLICITYTOSEMANTICAMBIGUITYANDTENSIONINPLACEOFSTRAIGHTFORWARDTOTHEMULTIPLICITYOFSEMANTICOPPOSITIONTOONEORTHEOTHEROFOPPORTUNISMSHOULDBEMIXEDATAGLANCERATHERTHANUNITYSTERNDESIGNEDTHE“BEST“PRODUCTSHOWROOMAREATYPICALEXAMPLE,ITADOPTEDLEGISLATIONFACESMANYOFTHETRADITIONALSYMBOLSANDCONSTITUTEAFORM,LIKETHEANCIENTGREEKPANTHEONOFELEVATION,THUSSUGGESTINGHEWASTRYINGTOCONVEYTHEMEPURPOSIVETHATIS,THEBUILDINGASA“TEMPLEOFCONSUMERISM,“THECOMMERCIALIZATIONOFSOCIETYREFLECTTHEVALUESOFPEOPLEANDCOMMERCIALACTIVITIESOFDAILYLIFETODAY,THEIMPORTANCEOFBUTTHEWAYMETAPHORSARECOMPLEX,MULTIPLE,WITHOUTSERIOUSTHOUGHT,ITISDIFFICULTTOUNDERSTANDIMMEDIATELYAPPARENTFROMITSREALSIGNIFICANCETHISDESIGNWORKS,FOREXAMPLE,NOTONLYTHEDEPTHOFTHEBOXTHINKINGISMORETHANSIMPLYTHEPURSUITLIKEASAILINGBOATORABIRDOFPREYSUCHASTHESYMBOLISMOFAMOREINTRIGUING,MOREPHILOSOPHICALTHEENVIRONMENTASASYMBOLICPHENOMENON,INORDERTOADDRESSTHELONGSTANDINGPROBLEMFORTHEDESIGNERSOFTHEINHERITANCEANDINNOVATIONOFTHEPARADOXICALPROBLEMOFPROVIDINGAEFFECTIVEWAYDESIGNLANGUAGEASTHELANGUAGEOFSYMBOLS,AREROOTEDINPASTEXPERIENCEWITHTHERAPIDDEVELOPMENTOFTHESOCIETYISLINKEDTOTHENEWFEATURES,NEWMATERIALS,NEWTECHNOLOGYANDCALLSONNEWIDEASONTHEONEHAND,ASIFITWERESOGENERALLANGUAGELANGUAGECHANGESSLOWLY,ONTHEOTHERHAND,WITHTHERAPIDDEVELOPMENTOFSOCIETYHOWTOMAKETHEENVIRONMENTNOTONLYOFHISTORICALCONTINUITY,BUTALSOTOADAPTTOTHENEWREQUIREMENTSOFTHETIMESWITHTHEADVANCEOFSCIENCEANDTECHNOLOGYPROGRESSANDFREQUENTCULTURALEXCHANGES,“VOCABULARY“AND“GRAMMAR“INTHEDEVELOPINGTRENDOFCONVERGENCE,BUTANATIONBECAUSEOFNATURALCONDITIONS,ECONOMICANDTECHNOLOGICAL,SOCIOCULTURALPRACTICESOFTHEDIFFERENTENVIRONMENTASSOCIATIONHASANUMBEROFUNIQUESYMBOLSANDARRANGEMENTSPOKENLIKETHEDIALECT,LIKETHEDESIGNERSCLEVERLYINJECTTHISKINDOF“ACCENT“CANENHANCETHEENVIRONMENTFORASENSEOFHISTORYANDLOCALFLAVOR,ANDENHANCETHEINFLUENCEOFLANGUAGEENVIRONMENTMODERNJAPANESEARCHITECTUREMASTERKENZOTANGEDESIGNEDKAGAWAHALLISA“NEWFORMOFTHETRADITIONALSEMANTIC“MODELALTHOUGHTHEBUILDINGAREUSEDBYORDINARYREINFORCEDCONCRETEFRAMESTRUCTURE,BUTTHEEXTERNALFORMOFTREATMENTISTHEUSEOFLUMINGCHUANHEAD,BEAMTOPTRADITIONALSYMBOLS,VERTICALHORIZONTALPARTITIONISANATURALASSOCIATIONTOTHEJAPANESEMAINTOWEROFTHELAYERSOFEAVESLAYOUTHASABSORBEDTHEADVANTAGESOFTHESQUARETOWEROFTHETRAFFICANDPUBLICFACILITIESONTHEPLANARCORESIMILARTOTHETOWERKAGUTAVENTRICLE,SOTHATTHEYSHARETHESMALLESTGETALLFLOORSOFTHESHORTESTROUTETRAFFICSOASTOSHOWASTRUCTUREWITHMODERNFORMSOFTECHNOLOGYTOREFLECTTHESTYLEOFTRADITIONALLOCALMETHODSUNITEDSTATESARTISTSUSANLANGEONCESAID,“ISALWAYSASYMBOLTOSIMPLIFYTHEFORMOFTHEPERFORMANCEOFITSMEANING,THATISEXACTLYWHATWECANGRASPTHEREASONSFORITREGARDLESSOFAWORKOFARTOREVENALLOFTHEARTSISHOWTHECOMPLEXITYOF,PROFOUNDANDRICH,ITISEASYTHANREALLIFETHEREFORE,THEARTTHEORYISUNDOUBTEDLYTHEESTABLISHMENTOFANEFFECTIVEHEARTSANDMINDSINAVIVIDREALITYOFTHECONCEPTOFSUCHAGREATCAUSEOFTHEPREAMBLEISMORE“SYMBOLICACTIVITIESHAVEBEENINCLUDEDINTHEACTIVITIESOFSOMEABSTRACTNOLONGERREMAININTHEINDIVIDUALABOVETHEVISUALSYMBOLSAREANARTSYMBOLS,BUTALSOTHEPERFORMANCEOFSEXUALSYMBOLSRELATIVEREASONINGINTERMSOFSEXUALSYMBOLS,VISUALSYMBOLSDONOTHAVETHEIROWNSYSTEM,ANDANYVISUALSYMBOLSHAVEACERTAINDEGREEOFCULTURALCONTENT,ANDONLYREFLECTEDINACERTAINDEGREEOFEMOTIONALSTRUCTURE,AROUNDAPARTICULARTHEMEOFORGANICCOMBINATIONEDUCATEDYOUTHHOTEL,MAOJIARESTAURANTCOMMERCIALBUILDINGANDSOON,ITALSOADOPTEDTHEHATS,CORNONTHECOB,ROUGHWOODENTABLESANDCHAIRS,WELLSANDSOON,ANDEVENMOREINORDERTOCREATEANATMOSPHEREOFCLOTHINGARETOBEATTENDANTS,ASWELLASTHEMENUWEREALSOCLEVERLYINTEGRATEDINTOTHEAMONGTHEM,THESEDIFFERENTGEOGRAPHICALSIGNIFICANCEINRURALAREASTYPICALLYRICHINVISUALSYMBOLSTOCREATEANENVIRONMENTHEREISLIKEANOLDALBUM,RECORDINGADIFFERENTPERSONSEXPERIENCE,MAKINGTHEDESIGNBECOMEMORECORDIAL,BUTALSOWORTHPONDERINGVISUALSYMBOLS,NOTONLYINSYMBOLICFORMTOCREATETHEVISUALASSOCIATIONAND,MOREIMPORTANTLY,ITCANEVOKETHOUGHTSASSOCIATION,WHICHHAVEEMPATHY,TOACHIEVEEMOTIONALRESONANCE,THUSBUILDINGMOREMEANINGFULTHERAPIDDEVELOPMENTOFURBANCONSTRUCTIONHASBROUGHTRAPIDCHANGES,BUTATTHESAMETIMEWEALSOLOSTMANYWILLNEVERBEABLETORECOVERTHINGSHISTORICALCONTEXTTHEHISTORYOFTHEFORMATIONOFTHESTREETS,ALLEYS,ARCHES,RELIGIOUSSHRINESANDSOONURBANFORMASACOMPLETEEXPRESSIONOFARCHITECTUREANDURBANIMAGEOFTHESYMBOLSYSTEM,BEINGINTOFILMS,SHINGSTREET,INTOASQUARETOBEREMOVED,THREATSTOTHEURBANFORMOFTHECOMPATIBILITYANDCONTINUITYRESPECTFORHISTORICALTRADITIONDOESNOTMEAN,RIGIDLYTRADITIONALINSTEAD,CONSCIOUSLYKEEPTHESETRADITIONS,WILLMAKETHECITYMORELOCALFLAVORINFACT,“ESTABLISHINGANEW“DONOTHAVETO“OLD“,THEKEYLIESINHOWTOAPPROACHTRADITIONALANDFASHIONTOCREATEANEWSYMBIOSISOFOLDANDNEWURBANFORMSYMBOLS“NEWWORLD“PROJECTISLOCATEDINSHANGHAI,XINGYEROADHUANGPIROAD,AMAJORSITEOFTHECHINESECOMMUNISTSOFTHESURROUNDINGAREA“VENUE“OPPOSITETHESOUTHBLOCK,DESIGNFORTHEMODERNARCHITECTUREISNOTHIGH,WHICHISDOTTEDWITHSOMERESERVATIONSTHETRADITIONALARCHITECTURE,ANDTHE“VENUE“INHARMONYAND“VENUE“WHERETHENORTHBLOCK,THENEIGHBORHOODRETAINEDALARGEPATTERN,CAREFULLYPRESERVEDANDREPAIREDTHEBUILDINGEXTERIORFACADESHIKUMEN,DETAILANDNEIGHBORHOODSCALESPACE,THEBUILDINGWASMADELARGERINTERNALTRANSFORMATIONINORDERTOADAPTTOOFFICE,COMMERCIAL,ACCOMMODATION,CATERINGANDENTERTAINMENTANDOTHERMODERNLIFEHAVEBEENBUILTFROMTHECURRENTPARTOFVIEW,RECEIVEDMUCHPRAISE,HASAGREATERIMPACTITISSAIDTHATSALESANDCOSTEFFECTIVENESSALSOVERYGOODINFACT,INSHANGHAI,THEEASTERNANDWESTERNCULTURESHOCKMETROPOLIS,THETRADITIONALNEIGHBORHOODLIFESTYLENEVERDIEOFF,“NEWWORLD“JUSTGIVEITAREASONABLECHANGEANDCONTINUITY,ARELEFTFORUSTOTHINKMOREANDENLIGHTENMENTFAMOUSPHILOSOPHERERNSTCASSIRERPERSONTHINKSYMBOLSAREANIMALSALLHUMANSPIRITUALANDCULTURALACTIVITIESARETHEPRODUCTOFSYMBOLSTHEESSENCEOFTHATPERSONINTHATHECANUSETOCREATECULTURALSYMBOLSTHEREFORE,ALLCULTURALFORMS,ISBOTHASYMBOLOFTHEREALITYOFEVENTSISALSOTHEPERSONOFTHENATUREOFTHEOBJECTTHESOCALLEDMASTERCULTURE,INTHESYMBOLICLEVELATLEAST,TOBESKILLEDTOOPERATECONSTITUTETHECULTURALSYMBOLSANDCULTURALSYSTEMRATHERTHANTHESYMBOLITSELF,THENEWEXPERIENCESANDINSIGHTSWOVENINTOSYMBOLSGO,INFACT,SYMBOLSTHEMSELVESAREALSOCHANGING,ANDTHECULTURALHERITAGEANDTHEINNOVATIONOFTHEMYSTERIESOFITEXISTINTHISVARIATIONOFTHECONFUCIUSANDSOCRATESARESTILLHUMANBEINGSAREETERNALBEACON,ANDTHESYMBOLSOFMODERNSUBJECTSINTHISSTUDYCALLFORUSFROMTHEBACKTOSOCRATESWILLBESIMPLEANDCOMPLEXSEMANTICS,TRADITIONALANDFASHIONABLEPHRASESTRUCTURE,ANDAPPLIEDTOTHEDESIGNOFMODERNART,THEREBYCREATINGAPERSONALIZED,HUMANCULTURESNEWDESIGNSYMBOLSFIBERARTANDINTERIORDESIGNABSTRACTFIBERARTISAFUNCTIONALFIBERARTANDAESTHETICVALUEINONEARTFORMFIBERARTISFULLOFNATURALFLAVORTOTHEMATERIALTEXTUREANDFLAVOROFTHESIMPLEHANDWOVENTOMEETTHEEMOTIONALNEEDSOFAWIDERANGEOFPEOPLE,ITANDOTHERTYPESOFINTERIORDECORATIONASCOMPAREDTOANIRREPLACEABLEADVANTAGESFIBERARTHASBEENTOINFILTRATETHEBUILDINGANDENVIRONMENTALMATTERSINALLASPECTSOFDESIGN,ITISMAINLYTHEUSEOFVARIOUSMATERIALSANDTECHNIQUESTOEXPRESSTHECONCEPTOFMODERNDESIGNANDMODERNLIFEKEYWORDSFIBERARTSNOTINC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