室内设计 外文翻译 外文文献 英文文献_第1页
室内设计 外文翻译 外文文献 英文文献_第2页
室内设计 外文翻译 外文文献 英文文献_第3页
室内设计 外文翻译 外文文献 英文文献_第4页
室内设计 外文翻译 外文文献 英文文献_第5页
已阅读5页,还剩4页未读 继续免费阅读

下载本文档

版权说明:本文档由用户提供并上传,收益归属内容提供方,若内容存在侵权,请进行举报或认领

文档简介

TALKINGABOUTTHESYMBOLSINTHEENVIRONMENTOFTHEUSEOFARTANDDESIGNABSTRACTTHEINHERITANCEANDINNOVATIONOVERTHEYEARSTHERELATIONSHIPBETWEENARTANDDESIGNENVIRONMENTHASBEENTHEFOCUSOFATTENTIONTHISARTICLEHOPESFORTHEDESIGNOFSYMBOLSUSEDTOEXPLORETHECULTURE,ABOUTTHEMYSTERIESOFINHERITANCEANDINNOVATIONOFTHETRACEOFSENTIMENTKEYWORDSDEFORMATIONGRAMMARSEPARATISTSYMBOLSCONSTITUTEINHERITANCEANDINNOVATIONOVERTHEYEARSTHERELATIONSHIPBETWEENARTANDDESIGNENVIRONMENTHASBEENTHEFOCUSOFATTENTIONINFACT,FROMTHELINGUISTICPOINTOFVIEW,THISCONTRADICTIONISTHELANGUAGEOFSTABILITYANDVARIATIONBETWEENTHECONTRADICTIONASADESIGNERINTHEFORMOFDESIGNSUCCESSESANDFAILURESOFTHESUCCESSORFAILUREDEPENDSONTHEMASTER,“THETERM“THERICHANDTHEUSEOF“GRAMMAR“OFPROFICIENCYDESIGNERSTOMAKETHEIRWORKSBYOTHERSCANTRULYUNDERSTAND,WEMUSTCHOOSETHEAPPROPRIATE“WORD“ANDMUSTCOMPLYWITHTHE“GRAMMAR“THISDOESNOTMEANTHATDESIGNERSCANONLYFOLLOWTHEBEATENTRACK,NOPERSONALCONTRIBUTIONDESIGNERSSKILLFULLYUSETHENEWINDIVIDUALSYMBOLS,ORACONSCIOUSCHANGEININTERSYMBOLCOMBINATIONOFANUMBEROFCONVENTIONALRELATIONS,CREATENEWWORKSOFMOVING,WHICHISDESIGNINNOVATIONCOMPOSITIONHASA“SPECIFIC“COMPONENTAPPROACH,THATSEEMSTOBEVERYPLAININTHECOMPOSITIONOFTHESUDDENAPPEARANCEOFA“HETEROGENEOUS“ELEMENTS,MAKINGTHEPROGRAMITSELFISVERYPLAINTOACHIEVEUNEXPECTEDRESULTS,WITHASENSEOFINNOVATIONOFNEWSYMBOLSLIKETHIS“HETEROGENEOUS“INPEOPLESACCUSTOMEDTOTHINGSDIFFICULTTOAROUSEENOUGHATTENTIONANDINTERESTINCASE,SOMECOMMONSYMBOLSDEFORMATION,SPLITTING,ORTHEPREPARATIONOFTHECODETOCHANGETHEORDER,YOUCANPLAYACOMPELLING,THOUGHTPROVOKING,THESTRENGTHENINGOFENVIRONMENTALMESSAGINGLANGUAGEROLEUNITEDSTATESRENOWNEDARCHITECTCHARLESMOOREDESIGNEDTHECITYOFORLEANS,“ITALIANPIAZZA“ISBOLDINDESIGNELEMENTSTAKENFROMAVARIETYOFCLASSICALSYMBOLS,ANDSYMBOLICMEANSTOREPRODUCETHEMTHEENTIRESQUARETOACIRCULARPLANEBAROQUEFORTHECOMPOSITIONTOTHEGRADUALPROLIFERATIONOFBLACKANDWHITECONCENTRICCIRCLESANDTOTHESURROUNDINGPAVEMENTSURFACETOEXTENDOUTUNTILTHETHREESIDESOFTHESTREETENTRANCECLASSICALROMANCOLUMN,AFTERAFACELIFTTOTHEFACEOFNEWSHOWS,SUCHASTHECORINTHIANCOLUMNISUSEDINSTAINLESSSTEELCOLUMN,CANOPIESWALLCARVEDWITHTHELATINOF“THISFOUNTAINFORTHEPUBLICTOALLTHEPEOPLEWHOOFFERTHEGIFTS“OFTHEMESSAGEDORICCOLUMNONTHEFLOWINGDOWNGURGLE,ROUNDCOUPONONTHEMOLARSMILINGPORTRAIT,WATERISCONSTANTLYSPITFROMHISMOUTHHEREISNOTONLYFULLOFBRIGHTRICHATMOSPHEREOFAMODERNCOMMERCIAL,BUTALSOASTRONGATTACHMENTTOLOCALFEELINGSMAPSANDITALIANAPENNINEPENINSULA,SICILYANDSARDINIASPLANANCIENTROME,THEFIVECOLUMN,THEDEFORMATIONMOTIFCOMBINATIONSANDTHEARCDETRIOMPHECIRCULARPORTICOWAIKWONGHOPINFACT,YOUAREIMMEDIATELYAWARETHATITISAMOCKERYOFCLASSICALMARXISMTHISISAJOYOUS,ALMOSTCLASSICALTRADITIONAREHYSTERICALEMBRACEPLEASEDTODAY,AVARIETYOFSIDEBOXSTYLEBUILDINGWASCONSIDEREDALOOFINTHEHISTORICANDLOCALABOVEONLYHASTHETECHNOLOGYANDASMALLNUMBEROFFUNCTIONALSEMANTICSEMANTICS,THEREISNOROOMFORTHINKINGAFTERTASTE,THEENVIRONMENTHASLEDTOAPATHYANDBORINGCRITICISMTHISUSEOFINFORMATIONTHEORYTOEXPLAINTHEPRINCIPLETHATEFFECTIVEENVIRONMENTALINFORMATIONCONTAINEDINTHESYMBOLSYSTEMTOOINVIEWOFTHIS,POSTMODERNARCHITECTSVENTURILOUDLYCALLEDFOR“BUILDINGARICHCONTENT,WHILEBUILDINGTOINCLUDEOTHERASPECTSOFTHEMULTIDIMENSIONALART,EVENINCLUDINGTHELANGUAGE,SOTHATITISNOLONGERAMERETOOLFORTHESPACE“ITADVOCATESENVIRONMENTALCOMPLEXITYANDCONTRADICTORYNATUREOFMODERNISMPROMOTEDBYSUBSTITUTESIMPLICITYTOSEMANTICAMBIGUITYANDTENSIONINPLACEOFSTRAIGHTFORWARDTOTHEMULTIPLICITYOFSEMANTICOPPOSITIONTOONEORTHEOTHEROFOPPORTUNISMSHOULDBEMIXEDATAGLANCERATHERTHANUNITYSTERNDESIGNEDTHE“BEST“PRODUCTSHOWROOMAREATYPICALEXAMPLE,ITADOPTEDLEGISLATIONFACESMANYOFTHETRADITIONALSYMBOLSANDCONSTITUTEAFORM,LIKETHEANCIENTGREEKPANTHEONOFELEVATION,THUSSUGGESTINGHEWASTRYINGTOCONVEYTHEMEPURPOSIVETHATIS,THEBUILDINGASA“TEMPLEOFCONSUMERISM,“THECOMMERCIALIZATIONOFSOCIETYREFLECTTHEVALUESOFPEOPLEANDCOMMERCIALACTIVITIESOFDAILYLIFETODAY,THEIMPORTANCEOFBUTTHEWAYMETAPHORSARECOMPLEX,MULTIPLE,WITHOUTSERIOUSTHOUGHT,ITISDIFFICULTTOUNDERSTANDIMMEDIATELYAPPARENTFROMITSREALSIGNIFICANCETHISDESIGNWORKS,FOREXAMPLE,NOTONLYTHEDEPTHOFTHEBOXTHINKINGISMORETHANSIMPLYTHEPURSUITLIKEASAILINGBOATORABIRDOFPREYSUCHASTHESYMBOLISMOFAMOREINTRIGUING,MOREPHILOSOPHICALTHEENVIRONMENTASASYMBOLICPHENOMENON,INORDERTOADDRESSTHELONGSTANDINGPROBLEMFORTHEDESIGNERSOFTHEINHERITANCEANDINNOVATIONOFTHEPARADOXICALPROBLEMOFPROVIDINGAEFFECTIVEWAYDESIGNLANGUAGEASTHELANGUAGEOFSYMBOLS,AREROOTEDINPASTEXPERIENCEWITHTHERAPIDDEVELOPMENTOFTHESOCIETYISLINKEDTOTHENEWFEATURES,NEWMATERIALS,NEWTECHNOLOGYANDCALLSONNEWIDEASONTHEONEHAND,ASIFITWERESOGENERALLANGUAGELANGUAGECHANGESSLOWLY,ONTHEOTHERHAND,WITHTHERAPIDDEVELOPMENTOFSOCIETYHOWTOMAKETHEENVIRONMENTNOTONLYOFHISTORICALCONTINUITY,BUTALSOTOADAPTTOTHENEWREQUIREMENTSOFTHETIMESWITHTHEADVANCEOFSCIENCEANDTECHNOLOGYPROGRESSANDFREQUENTCULTURALEXCHANGES,“VOCABULARY“AND“GRAMMAR“INTHEDEVELOPINGTRENDOFCONVERGENCE,BUTANATIONBECAUSEOFNATURALCONDITIONS,ECONOMICANDTECHNOLOGICAL,SOCIOCULTURALPRACTICESOFTHEDIFFERENTENVIRONMENTASSOCIATIONHASANUMBEROFUNIQUESYMBOLSANDARRANGEMENTSPOKENLIKETHEDIALECT,LIKETHEDESIGNERSCLEVERLYINJECTTHISKINDOF“ACCENT“CANENHANCETHEENVIRONMENTFORASENSEOFHISTORYANDLOCALFLAVOR,ANDENHANCETHEINFLUENCEOFLANGUAGEENVIRONMENTMODERNJAPANESEARCHITECTUREMASTERKENZOTANGEDESIGNEDKAGAWAHALLISA“NEWFORMOFTHETRADITIONALSEMANTIC“MODELALTHOUGHTHEBUILDINGAREUSEDBYORDINARYREINFORCEDCONCRETEFRAMESTRUCTURE,BUTTHEEXTERNALFORMOFTREATMENTISTHEUSEOFLUMINGCHUANHEAD,BEAMTOPTRADITIONALSYMBOLS,VERTICALHORIZONTALPARTITIONISANATURALASSOCIATIONTOTHEJAPANESEMAINTOWEROFTHELAYERSOFEAVESLAYOUTHASABSORBEDTHEADVANTAGESOFTHESQUARETOWEROFTHETRAFFICANDPUBLICFACILITIESONTHEPLANARCORESIMILARTOTHETOWERKAGUTAVENTRICLE,SOTHATTHEYSHARETHESMALLESTGETALLFLOORSOFTHESHORTESTROUTETRAFFICSOASTOSHOWASTRUCTUREWITHMODERNFORMSOFTECHNOLOGYTOREFLECTTHESTYLEOFTRADITIONALLOCALMETHODSUNITEDSTATESARTISTSUSANLANGEONCESAID,“ISALWAYSASYMBOLTOSIMPLIFYTHEFORMOFTHEPERFORMANCEOFITSMEANING,THATISEXACTLYWHATWECANGRASPTHEREASONSFORITREGARDLESSOFAWORKOFARTOREVENALLOFTHEARTSISHOWTHECOMPLEXITYOF,PROFOUNDANDRICH,ITISEASYTHANREALLIFETHEREFORE,THEARTTHEORYISUNDOUBTEDLYTHEESTABLISHMENTOFANEFFECTIVEHEARTSANDMINDSINAVIVIDREALITYOFTHECONCEPTOFSUCHAGREATCAUSEOFTHEPREAMBLEISMORE“SYMBOLICACTIVITIESHAVEBEENINCLUDEDINTHEACTIVITIESOFSOMEABSTRACTNOLONGERREMAININTHEINDIVIDUALABOVETHEVISUALSYMBOLSAREANARTSYMBOLS,BUTALSOTHEPERFORMANCEOFSEXUALSYMBOLSRELATIVEREASONINGINTERMSOFSEXUALSYMBOLS,VISUALSYMBOLSDONOTHAVETHEIROWNSYSTEM,ANDANYVISUALSYMBOLSHAVEACERTAINDEGREEOFCULTURALCONTENT,ANDONLYREFLECTEDINACERTAINDEGREEOFEMOTIONALSTRUCTURE,AROUNDAPARTICULARTHEMEOFORGANICCOMBINATIONEDUCATEDYOUTHHOTEL,MAOJIARESTAURANTCOMMERCIALBUILDINGANDSOON,ITALSOADOPTEDTHEHATS,CORNONTHECOB,ROUGHWOODENTABLESANDCHAIRS,WELLSANDSOON,ANDEVENMOREINORDERTOCREATEANATMOSPHEREOFCLOTHINGARETOBEATTENDANTS,ASWELLASTHEMENUWEREALSOCLEVERLYINTEGRATEDINTOTHEAMONGTHEM,THESEDIFFERENTGEOGRAPHICALSIGNIFICANCEINRURALAREASTYPICALLYRICHINVISUALSYMBOLSTOCREATEANENVIRONMENTHEREISLIKEANOLDALBUM,RECORDINGADIFFERENTPERSONSEXPERIENCE,MAKINGTHEDESIGNBECOMEMORECORDIAL,BUTALSOWORTHPONDERINGVISUALSYMBOLS,NOTONLYINSYMBOLICFORMTOCREATETHEVISUALASSOCIATIONAND,MOREIMPORTANTLY,ITCANEVOKETHOUGHTSASSOCIATION,WHICHHAVEEMPATHY,TOACHIEVEEMOTIONALRESONANCE,THUSBUILDINGMOREMEANINGFULTHERAPIDDEVELOPMENTOFURBANCONSTRUCTIONHASBROUGHTRAPIDCHANGES,BUTATTHESAMETIMEWEALSOLOSTMANYWILLNEVERBEABLETORECOVERTHINGSHISTORICALCONTEXTTHEHISTORYOFTHEFORMATIONOFTHESTREETS,ALLEYS,ARCHES,RELIGIOUSSHRINESANDSOONURBANFORMASACOMPLETEEXPRESSIONOFARCHITECTUREANDURBANIMAGEOFTHESYMBOLSYSTEM,BEINGINTOFILMS,SHINGSTREET,INTOASQUARETOBEREMOVED,THREATSTOTHEURBANFORMOFTHECOMPATIBILITYANDCONTINUITYRESPECTFORHISTORICALTRADITIONDOESNOTMEAN,RIGIDLYTRADITIONALINSTEAD,CONSCIOUSLYKEEPTHESETRADITIONS,WILLMAKETHECITYMORELOCALFLAVORINFACT,“ESTABLISHINGANEW“DONOTHAVETO“OLD“,THEKEYLIESINHOWTOAPPROACHTRADITIONALANDFASHIONTOCREATEANEWSYMBIOSISOFOLDANDNEWURBANFORMSYMBOLS“NEWWORLD“PROJECTISLOCATEDINSHANGHAI,XINGYEROADHUANGPIROAD,AMAJORSITEOFTHECHINESECOMMUNISTSOFTHESURROUNDINGAREA“VENUE“OPPOSITETHESOUTHBLOCK,DESIGNFORTHEMODERNARCHITECTUREISNOTHIGH,WHICHISDOTTEDWITHSOMERESERVATIONSTHETRADITIONALARCHITECTURE,ANDTHE“VENUE“INHARMONYAND“VENUE“WHERETHENORTHBLOCK,THENEIGHBORHOODRETAINEDALARGEPATTERN,CAREFULLYPRESERVEDANDREPAIREDTHEBUILDINGEXTERIORFACADESHIKUMEN,DETAILANDNEIGHBORHOODSCALESPACE,THEBUILDINGWASMADELARGERINTERNALTRANSFORMATIONINORDERTOADAPTTOOFFICE,COMMERCIAL,ACCOMMODATION,CATERINGANDENTERTAINMENTANDOTHERMODERNLIFEHAVEBEENBUILTFROMTHECURRENTPARTOFVIEW,RECEIVEDMUCHPRAISE,HASAGREATERIMPACTITISSAIDTHATSALESANDCOSTEFFECTIVENESSALSOVERYGOODINFACT,INSHANGHAI,THEEASTERNANDWESTERNCULTURESHOCKMETROPOLIS,THETRADITIONALNEIGHBORHOODLIFESTYLENEVERDIEOFF,“NEWWORLD“JUSTGIVEITAREASONABLECHANGEANDCONTINUITY,ARELEFTFORUSTOTHINKMOREANDENLIGHTENMENTFAMOUSPHILOSOPHERERNSTCASSIRERPERSONTHINKSYMBOLSAREANIMALSALLHUMANSPIRITUALANDCULTURALACTIVITIESARETHEPRODUCTOFSYMBOLSTHEESSENCEOFTHATPERSONINTHATHECANUSETOCREATECULTURALSYMBOLSTHEREFORE,ALLCULTURALFORMS,ISBOTHASYMBOLOFTHEREALITYOFEVENTSISALSOTHEPERSONOFTHENATUREOFTHEOBJECTTHESOCALLEDMASTERCULTURE,INTHESYMBOLICLEVELATLEAST,TOBESKILLEDTOOPERATECONSTITUTETHECULTURALSYMBOLSANDCULTURALSYSTEMRATHERTHANTHESYMBOLITSELF,THENEWEXPERIENCESANDINSIGHTSWOVENINTOSYMBOLSGO,INFACT,SYMBOLSTHEMSELVESAREALSOCHANGING,ANDTHECULTURALHERITAGEANDTHEINNOVATIONOFTHEMYSTERIESOFITEXISTINTHISVARIATIONOFTHECONFUCIUSANDSOCRATESARESTILLHUMANBEINGSAREETERNALBEACON,ANDTHESYMBOLSOFMODERNSUBJECTSINTHISSTUDYCALLFORUSFROMTHEBACKTOSOCRATESWILLBESIMPLEANDCOMPLEXSEMANTICS,TRADITIONALANDFASHIONABLEPHRASESTRUCTURE,ANDAPPLIEDTOTHEDESIGNOFMODERNART,THEREBYCREATINGAPERSONALIZED,HUMANCULTURESNEWDESIGNSYMBOLSFIBERARTANDINTERIORDESIGNABSTRACTFIBERARTISAFUNCTIONALFIBERARTANDAESTHETICVALUEINONEARTFORMFIBERARTISFULLOFNATURALFLAVORTOTHEMATERIALTEXTUREANDFLAVOROFTHESIMPLEHANDWOVENTOMEETTHEEMOTIONALNEEDSOFAWIDERANGEOFPEOPLE,ITANDOTHERTYPESOFINTERIORDECORATIONASCOMPAREDTOANIRREPLACEABLEADVANTAGESFIBERARTHASBEENTOINFILTRATETHEBUILDINGANDENVIRONMENTALMATTERSINALLASPECTSOFDESIGN,ITISMAINLYTHEUSEOFVARIOUSMATERIALSANDTECHNIQUESTOEXPRESSTHECONCEPTOFMODERNDESIGNANDMODERNLIFEKEYWORDSFIBERARTSNOTINCLUDETHEINDOORENVIRONMENTFIBERARTFIBERARTCOLLECTIONOFCLASSICALANDMODERN,ROMANTICANDCALM,INDUSTRIALCIVILIZATIONANDTRADITIONSINONEHAND,AREANANCIENTANDYOUNGARTSITISNATURALANIMALANDPLANTFIBERORSYNTHETICFIBERMATERIALS,WITHKNITTING,RINGBINDING,WINDING,STITCHANDOTHERPRODUCTIONMEANS,THECREATIONOFPLANAR,THREEDIMENSIONALIMAGEOFAFORMOFARTFIBERARTS,INCLUDINGTRADITIONALFLATSTYLEFABRIC,MODERNPOPULARTHREEDIMENSIONALFABRICS,DAILYARTSANDCRAFTS,ASWELLASSPACEINMODERNARCHITECTUREWITHTHEEXPRESSIONOFAVARIETYOFFIBERMATERIALSMODELINGLANGUAGEWORKS1FIBERTEXTUREARTINTERIORENVIRONMENTALDESIGNONTHEIMPACTOFMATERIALSELECTIONTHEPERFORMANCEOFFIBERARTARETEXTUREANDTEXTURETOCREATEITEMS,WHICH,WHETHERINVISUALORTACTILE,THEBOTHHAVEANUNPARALLELEDVISUALAPPEALFIBERARTOFMATERIALSELECTIONISVERYEXTENSIVE,ALMOSTALLTYPESOFTEXTILEFIBERSMAYBEAPPLICABLETHEUSEOFDIFFERENTMATERIALSTHROUGHDIFFERENTPROCESSINGORTHEUSEOFDIFFERENTSTRUCTURESCANPRODUCEDIFFERENTTEXTURESTEXTUREBYTHEOBJECTSAREUNIQUECOLOR,LUSTER,SHAPE,TEXTURE,COLD,THICK,SOFTANDHARDANDTRANSPARENCYANDSOONCONSTITUTEALARGENUMBEROFATTRIBUTESCONSTITUTETHEATTRIBUTESOFDIVERSE,COMPLEXPORTFOLIO,WILLALSOCHANGETEXTUREINFINITEATTHESAMETIME,TEXTURESAREALSOBELONGTOTHECOMMONPERCEPTIONOFVISUALANDTACTILEQUALITIESOFMATERIALS,EXTERIORMATERIALSANDTEXTURESCOMPLEMENTEACHOTHER,ALLKINDSOFMATERIALSAREEXPOSEDTHROUGHTHETEXTURETOITSTRUEFEATURESANDTHROUGHTHETEXTURETOEXPRESSTHECHARACTERISTICSOFMATERIALSFIBERINTERIORACCESSORIESTHROUGHTACTILESENSESGIVENDIFFERENTPSYCHOLOGICALFEELINGS,SUCHASHARDANDSOFT,THICK,HOTANDCOLDANDSOONATTHESAMETIME,SETUPINTHEMEMORYOFVISUALPERCEPTION,EVOKEIMAGESOFDIFFERENTPSYCHOLOGICALPERCEPTION,DISTINGUISHINGTEXTURECHARACTERISTICSMODERNFIBERARTISABREAKTHROUGHANDGOBEYONDTHETRADITIONAL,MAINLYMANIFESTEDASFIBERSUCHMATERIALONAHIGHERLEVELOFUNDERSTANDINGANDAPPLICATIONTRADITIONALFIBERART,MAINLYINNATURALFIBERMATERIALSTHESEMATERIALSINCLUDESILK,WOOL,HEMP,COTTONANDSOONUSEDINMODERNFIBERARTMATERIALS,HASBROKENTHROUGHTHETRADITIONALCONSTRAINTSHERETHE“FIBER“ISNOLONGERJUSTCOTTON,HEMP,WOOL,BROWN,RATTANANDOTHERTRADITIONALFIBERMATERIALS,INCLUDINGCHEMICALFIBERANDLATITUDEOFTHEHARDANDSOFTWOVENMATERIAL,ASWELLASALLOFTHELINEARMATERIAL,ANDEVENSOMEMETALFIBERSHAVEALSOBEENARTISTSOFALLAGESAMERICANFIBERARTISTSSUCHASNANCYSWORK“THEGOLDENWAVE“USEDWOOL,VISCOSEFIBERANDCOPPERWIREASMATERIALBULGARIACAYMANMILLIONFIBERARTISTSWORK“WITHTHEWEFT“APLASTICTUBEANDWOOLASAMATERIALMODERNFIBERARTOFPAINTINGFROMNATURETHANFROMTHEPURSUITANDBEGANTOFOCUSONTHEPERFORMANCEOFMATERIALSINTHEUNITEDSTATESITSELF,THENATURALFORMOFFIBERMATERIALS,RICHTEXTURE,JUSTBETWEENTHEDIFFERENTFIBERSANDSOPHIE,STRAIGHTANDCURLY,MISCELLANEOUSANDPURE,MINGWITHDARK,LIGHTANDHEAVYCONTRAST,ANDTOAPPRECIATETHOSEWHOBRINGAWEALTHOFAESTHETICEXPERIENCEFIBERARTHASALWAYSBEENKNOWNASTHEARTISTICANDTEXTUREWHOOFWEAVINGISATRADITIONALFIBERARTSMAJORPROCESSHOWEVER,MODERNTECHNOLOGYOFFIBERARTPRACTICESHAVENOTBEENLISTEDOUTINFULL,SUCHASWEAVING,HITCH,WINDING,STITCH,COLLAGE,ASWELLASDYEING,PAINTING,SPRAYING,PRINTINGANDSOONMANYARTISTSWILLALSOSCIENCEANDTECHNOLOGYINTOTHEFIELDOFFIBERARTCREATIONSAMERICANARTISTCYNTHIAS“RUNS“,“LAKERAIN“LOOMSFORTHECREATIVEUSEOFCOMPUTERTOOLS,THEUSEOFTHREEWAYWARPSPACETOCREATEAUNIQUEEFFECTINTHEFABRICTEXTUREANDSTRUCTURETOSHOWTHEENDLESSIMAGINATION,DIFFERENTTYPESANDCOLOROVERLAYWITHTHECOVERLINE,RESULTINGINTHETRADITIONALPROCESSCANNOTBEACHIEVEDONMANYLEVELSOFSUBTLECHANGESTHEREAREMANYARTISTS,MAKEUSEOFTHEEXISTINGPRODUCTSTOCREATE,BUTALSOTHEEFFECTOFUNUSUALLYTOUCHINGFOREXAMPLE,THEPIONEEROFMODERNFIBERARTSUNITEDSTATESMISSLEINUOSENIORARTISTSINTHEEARLY80SOFLASTCENTURYTHEUNITEDNATIONSBUILDINGINNEWYORKDESIGNEDTHEGIANTFIBERWORKSOFART“WHITEFLUTTERINGFIBER“THISWORKOFARTFROMTHEINTERIOROFTHEBUILDINGABOUT6MSQUAREVERTICALHOISTINGTHEROOFDOWNCOUNTLESSARTICLESANDWHITEFIBERS,THISFIBERBUNDLEWITHABUNCHOFSLIGHTLYSWINGINGTHEWIND,BOTHLIGHTALSOGENEROUS,WEALSOIMPLICITLYSIMPLE,ITREVEALSAHAZYANDINCLUDESTHESTATEOFTUNEOFTHEREALMOFTHEUNITEDSTATESTHESEWORKSANDTHEUSEOFMATERIALSTHROUGHTHEEXCAVATIONOFTHEUNITEDSTATESITSELFANDTHEINTEGRATIONWITHTHEENVIRONMENT,SOASTOACHIEVETHEUNUSUALDECORATIONOFTHEUNITEDSTATESCANNOTMATCHTHEARTISTICREALM2FIBERARTSCULPTUREONTHEINTERIOROFTHEIMPACTOFENVIRONMENTALDESIGNCOMPAREDWITHTRADITIONALFIBERART,CONTEMPORARYFIBERARTISANIMPORTANTFEATUREOFITSSCULPTURETRADITIONALFIBERARTSSUCHASCARPET,WALL,缂丝ANDOTHERWORKS,THEMAINWORKSAREFLATSINCETHE60SOFLASTCENTURY,FIBERARTSGRADUALLYTOSEMIRELIEFFROMTWODIMENSIONALUNTILTHEEMERGENCEOFFULLYTHREEDIMENSIONALSPACEOFTHEWORKOF“SOFTSCULPTURES“WITHTHEFLEXIBILITYANDELASTICITYOFTHESCULPTURESOMEARTISTSTAKEINTOACCOUNTINTHEDESIGNWORKSAREWORKSOFMORESPACEFORTHEOVERALLSITUATIONBROUGHTABOUTBYDECORATIVEPOLISHARTISTSWORK“RED“WALLYESTOSCULPTURE,TOWORKSOFTHELANDMARKSPACERUIFORWARDINTOTHECORNERAFTERTHEIRFULLDEEPOVALTOFORMASTRONGCONTRAST,LIKEACOULDNOTSUPPRESSTHEPASSIONAGITATEDLYERUPTION19921993CREATEDTO“NEST“ASREPRESENTEDBYTHEWORKS,SHEWILLBEOFGOODPULPPOURINBAMBOOWASCARRIEDOUTONAFANHASCREATEDASINGULAREFFECTALONGTHISLINEOFTHOUGHT,SHEWORKSMOREEXTENSIVESPACE,SHECREATEDA“WRAPPED“,“CHAIN“ASERIESOFWORKS,WITHTHEEXCEPTIONOFPAPERPULP,BAMBOO,WOOD,BUTALSOTHEUSEOFFLAXFIBERINTHE“COLUMN“,SHEBEGANTOPURSUEANUPWARDEXTENSIONOFTHEWORKRESULTSIFWESAYTHATTHEABOVEWORKSINTHEOUTDOORAIRCANGIVETHEMAGICQUESTION,FRESHVISUALFEEL,SHES“KNOT“AND“BOX“SERIESOFWORKS,THENCREATEDANINTERIORSPACE,MYSTERIOUS,THEDUSTLADENEFFECT,THEYGIVEPEOPLEISTHELOSTINADISTANTERA,BUTITISALSOALINGERINGMIRAGECONTEMPORARYASERIESOFCREATIVEBREAKTHEDRAWSPECIESBOUNDARIESTONEWMATERIALASWELLASTHEPROCESSOFARTTOINTRODUCETHEARTOFSCULPTUREAREA,EXPANDEDTHEBORDERSOFSCULPTURE,SUCHPOSITIVEEFFORTSTOCHANGETHESCULPTUREFORTHESHELFTHINKING,TOBREAKTHECLOSEDSTATE,PIONEERINGVISIONINTHEBROADERFIELDOFSCULPTURESPACEFORDEVELOPMENTTOSEEKTOPLAYAPOSITIVEROLEINPROMOTING3FIBERCOMBINATIONOFARTANDARCHITECTUREFIBERARTASASYMBOLOFWARM,SOFT,WARMSYMBOLS,COMBINEDWITHTHEBUILDINGHASBEENTHEEMBODIMENTOFPERFECTIONAROUNDTHEENDOFTHE1970STOTHE1980S,THEMODERNFIBERARTBEGANTOBEAPPLIEDBYARCHITECTSTHINKAREAPATHY,LACKOFEMOTIONINTHEBUILDING70S,PUBLISHED“BEYONDCRAFTCONTEMPORARYFIBERART“AND“FIBERARTMAINSTREAM“BOOKONTHETWOSPECIFICONMODERNFIBERARTINAVARIETYOFBUILDINGSPACEANDPUBLICSPACETOTHEIMPORTANTROLEANDSIGNIFICANCEWITHTHEDEVELOPMENTOFTHETIMES,FIBERARTHASINFILTRATEDINTOINTERIORARCHITECTUREANDENVIRONMENTALDESIGNINALLITSASPECTS,HASENTEREDTHEMODERNFAMILY,WITHOTHERINTERIORDECORATIVEMATERIALSOFORGANICCOMBINATIONOFEACHOTHER,WITHITSSHAPE,TEXTUREANDWITHCOMBINATIONOFDECORATIVEANDENHANCETHEINTERIORDECORATIONOFTHEARTISTICEFFECTITISMAINLYTHEUSEOFVARIOUSMATERIALSANDTECHNIQUESTOEXPRESSTHECONCEPTOFMODERNDESIGNANDMODERNLIFE,WHILESOPHIEALLMODERNDECORATIVESHAPES,COLORS,ANDTAKINGWITHTHEWALLS,THEINDOORENVIRONMENT,SPATIALRELATIONSFIBERARTBEABLETOADDARTISTICEFFECTSOFSPACE,EASYTOCREATEWEALTHTOTHE“HUMANTOUCH“OFTHENATURALSPACE,ANDTHUSEASETHEBUILDINGANDTHEINTERIORSPACEOFRIGIDSENSEOFSPACETOPLAYTHEROLEOFBLUR,BUTALSOADDEDABUILDINGWITHTHEINTERIORSPACEOFTHECOLOR,GIVESAHARMONIOUSANDCOMFORTABLE,PRACTICALEXPERIENCEPERFECTBECAUSEOFTHESPECIALPROPERTIESOFFIBERS,FIBERARTBRINGSNOTONLYAVISUALSENSEOFBEAUTY,MOREWARM,FRIENDLY,COMFORTABLE,ETCENJOYINADDITION,FROMMODELINGTOCOLOR,FROMPLANARTOTHREEDIMENSIONAL,FROMTHESUBJECTTOHAVEAVERYBROADCULTURALCONNOTATIONOFTHEPERFORMANCESPACE,ANDTHUSDEVELOPEDVERYRAPIDLYANDHASNOWBEENWIDELYUSEDINBUILDINGTHEOVERALLDESIGNANDDECORATIONINTHEBEDROOMFIBERARTASTHEINDOORENVIRONMENTANIMPORTANTCOMPONENTOFTHEENVIRONMENTINTHEINTERIOROCCUPIESANIMPORTANTPOSITION,ALSOPLAYADECISIVEROLEITCANNOTONLYBEABLETODECORATINGTHESPACE,RICHENVIRONMENT,THEPERFORMANCEOFCULTURE,ARCHITECTUREANDINTERIORSPACEANDBEABLETOCOLOR,LIGHTING,MATERIALSTOBUILDANORGANICWHOLE,ONEOFTHEARTOFBUILDINGSPACEANDINTEGRATION,THUSBUILDINGTHEINTERNALENVIRONMENTRECEIVEDAWARMELEGANTARTISTICREALM,ANDCREATEAVARIETYOFHUMANSPACE4MODERNFIBERARTANDOTHERINTERIORDECORATIVEMATERIALSOFORGANICCOMBINATIONBUILDINGOUTDOORSPACEANDINDOORENVIRONMENTAREEQUALLYIMPORTANTINORDERTOFULLYENJOYTHEWELLBEINGANDPRIVACYNEEDS,THEREISROOMCOMFORTREQUIREMENTSCONTINUETOGROWWALLANDSOFTSCULPTURESUCHASFIBERARTSASINTERIORDECORATIONS,INEUROPE,AMERICAANDDEVELOPEDAWIDERANGEOFAPPLICAT

温馨提示

  • 1. 本站所有资源如无特殊说明,都需要本地电脑安装OFFICE2007和PDF阅读器。图纸软件为CAD,CAXA,PROE,UG,SolidWorks等.压缩文件请下载最新的WinRAR软件解压。
  • 2. 本站的文档不包含任何第三方提供的附件图纸等,如果需要附件,请联系上传者。文件的所有权益归上传用户所有。
  • 3. 本站RAR压缩包中若带图纸,网页内容里面会有图纸预览,若没有图纸预览就没有图纸。
  • 4. 未经权益所有人同意不得将文件中的内容挪作商业或盈利用途。
  • 5. 人人文库网仅提供信息存储空间,仅对用户上传内容的表现方式做保护处理,对用户上传分享的文档内容本身不做任何修改或编辑,并不能对任何下载内容负责。
  • 6. 下载文件中如有侵权或不适当内容,请与我们联系,我们立即纠正。
  • 7. 本站不保证下载资源的准确性、安全性和完整性, 同时也不承担用户因使用这些下载资源对自己和他人造成任何形式的伤害或损失。

评论

0/150

提交评论