开题报告-论薇拉-凯瑟《我的安东尼娅》中女性的形象

F附件4本科生毕业设计（论文）开题报告ONTHEIMAGESOFWOMENINWILLACATHERSMYANTONIA论薇拉凯瑟我的安东尼娅中女性的形象专业班级2011级英语3班姓名学号指导教师填表日期2014年8月31日二一四年八月说明1毕业设计的开题报告是保证毕业设计质量的一个重要环节，为规范毕业设计的开题报告，特印发此表。2学生应在开题报告前，通过调研和资料搜集，主动与指导教师讨论，在指导教师的指导下，完成开题报告。3此表一式三份，一份交系装入毕业设计（论文）档案袋，一份交指导教师，一份学生自存。4选题需经基层教学单位（专业）讨论审核、系主管教学主任批准、报教务处备案,方可正式进入下一步毕业设计（论文）阶段。姓名肖春霞开题时间20141010学制四年专业班级2011级英语3班指导教师导师组长龙跃讲师论文题目ONTHEIMAGESOFWOMENINWILLACATHERSMYANTONIA论薇拉凯瑟我的安东尼娅中女性的形象开题报告内容摘要薇拉凯瑟是美国二十世纪上半叶非常具有影响力的女性作家，她的作品中所刻画的拓荒女性在美国文学史上留下了难以磨灭的艺术形象。我的安东尼娅作为她最受读者喜爱和关注的小说，被看作是一首对拓荒女性的赞歌。我的安东尼娅主要以吉姆为叙述者，讲述他在美国西部内布拉斯加州大草原里的生活和对安东尼娅的暗恋，描述安东尼娅为生活和理想奋斗而最终过上幸福生活以及许多其他具有个性的女性的故事。本文将对我的安东尼娅的女性形象做一个全面地分析。本文的第一部分陈述了传统主妇的自我奉献的形象；第二部分主要从女性主义角度分析女性追梦者的形象以及他们在父权社会中成功实现自己的梦想的过程；第三部分概括了女性在书中作为灵魂伴侣的形象。这三部分旨在帮助我们更好的了解我的安东尼娅一书中的女性形象，指出薇拉凯瑟的艺术魅力在于她追求理想，讴歌女性独特魅力；此外，这三部分也将通过展示在当时女性处劣势的社会环境中女性的坚韧不拔的形象，点出薇拉凯瑟蕴藏在书中的对女性的个人看法。关键词薇拉凯瑟；我的安东尼娅；形象；女性身份；父权ABSTRACTWILLACATHERWASANINFLUENTIALFEMALEWRITERINTHEFIRSTHALFOFTHETWENTIETHCENTURYTHEPIONEERWOMENWHOWEREPORTRAYEDINHERBOOKLEFTANINDELIBLEARTIMAGEINAMERICANLITERATUREHISTORYANDMYANTONIA，HERMOSTPOPULARNOVEL,WASSEENASASONGOFPRAISEFORPIONEERWOMENUSINGJIMASTHEFIRSTPERSONNARRATOR,MYANTONIADESCRIBEDJIMSLIFEONNEBRASKAPRAIRIEANDHISSECRETLOVEFORANTONE,ANDITDEPICTEDTHESTORYOFANTONIAWHOSTRUGGLEDFORLIFEANDDREAMANDFINALLYSUCCEEDED,ANDOFMANYOTHERWOMENOFDIFFERENTPERSONALITYTHISTHESISGIVESACOMPREHENSIVEANALYSISOFTHEIMAGEOFWOMENINTHISNOVELPARTONEPRESENTSTHEPIONEERWOMENSIMAGEOFDEVOTEDHOUSEKEEPERS,WHICHISKNOWNASTHEIRTRADITIONALIMAGEPARTTWOEXPLORESTHEIMAGEOFINDEPENDENTDREAMCATCHERSWHOSUCCESSFULLYREALIZETHEIRDREAMSINAPATRIARCHALSOCIETYPARTTHREEPROBESINTOTHEIMAGEOFFEMALECHARACTERSASSPIRITUALCOMPANIONSTHETHREEPARTSAIMTOHELPUSUNDERSTANDTHEFEMALEIMAGESINTHISNOVELBETTER,POINTINGOUTTHATWILLACATHERSARTISTICCHARMLIESINHERPURSUINGDREAMSANDSINGINGSONGSFORTHEUNIQUEFEMININECHARMFURTHERMORE,THETHESIS,BYSHOWINGTHEIMAGEOFINDOMITABLEFEMALESINASOCIETYWHEREWOMENWEREREGARDEDASTHEINFERIOR，TRIESTOPRESENTWILLACATHERSOPINIONSONWOMENKEYWORDSWILLACATHERMYANTONIAIMAGEFEMALEIDENTITY,PATRIARCHY1INTRODUCTIONWILLACATHER,AFAMOUSAMERICANWRITEROFTHEFIRSTHALFOFTHETWENTIETHCENTURY,WASKNOWNFORHERPORTRAYALOFTHEPIONEERLIFEINTHEAMERICANWESTANDTHEREFOREWASREGARDEDASTHESPOKESPERSONOFTHEPIONEERINGERAHERWORKWASACCLAIMEDASTHE“PEARL”OFTHEAMERICANLITERATUREINHERWORK,WILLACATHERNOTONLYGLORIFIEDINDOMITABLEANDFEARLESSSPIRITOFAMERICANWESTERNFRONTIER,BUTALSOEULOGIZEDTHEIRNOBLESENTIMENTANDMORALINTEGRITYMAXWELLGEISMAR,AFAMOUSCRITIC,PRAISEDHERAS“ADEFENDEROFBEAUTYOFSPIRITINTHEPROCESSOFMATERIALPROGRESS”196763ASEARLYAS1930,SINCLAIRLEWISSPOKEHIGHLYOFWILLACATHERACHIEVEMENTINLITERATUREWHENHEMADEASPEECHATTHENOBELLITERARYPRIZECEREMONYINSTOCKHOLMWILLACATHERWASANOVELISTWHOEMPHASIZEDTHEDEPICTIONOFFEMALEIMAGEANDTHEEXPRESSIONOFFEMALECONSCIOUSNESSHERNEBRASKANOVELSWERESETONNEBRASKAPRAIRIEANDTHEYPORTRAYEDAGROUPOFFEMALECHARACTERS,WHOWEREBEYONDTRADITION,CAPABLEANDTOUGHMINDEDO,PIONEERS1913,THESONGOFTHELARK1915,MYANTONIA1918WERECALLEDPRAIRIETRILOGYO,PIONEERS1913ANDMYANTONIA1918ESTABLISHEDWILLACATHERSPOSITIONINTHELITERATUREWORLDWILLACATHERWASAWARDEDTHEPULITZERPRICEFORONEOFOURS1922,ANDWASTHESECONDWOMANTOWINTHISPRIZEINTHERECENTYEARS,THEAMERICANCRITICSREGARDWILLACATHERASONEOFTHEMOSTDISTINGUISHEDNOVELISTSINAMERICAINTHE20CENTURYAMONGWILLACATHERSNOVELS,MYANTONIA1918WASTHEMASTERPIECEOFHERWESTERNFRONTIERNOVELSUSINGJIMASTHEFIRSTPERSONNARRATOR,MYANTONIA,BASEDONTHEBACKGROUNDOFAMERICANWESTWARDMOVEMENT,DESCRIBEDJIMSLIFEONNEBRASKAPRAIRIEANDHISSECRETLOVEFORANTONE,ANDITDEPICTEDTHESTORYOFANTONIAWHOSTRUGGLEDFORLIFEANDDREAMANDMANYOTHERFEMALECHARACTERS,WHOSUFFEREDFROMSETBACKS,ANDEXTOLLEDTHESPIRITOFPIONEERINGAGEANTONIAWASABOHEMIANMIGRANTTOAMERICANWESTANDONCEDIDFARMWORKLIKEAMAN,ANDTHENWASDESERTEDBYHERSOCALLEDSWEETHEARTANTONIAEXPERIENCEDALOTOFHARDSHIPSANDINTHEENDLIVEDHAPPILY,WHICHMOLDEDTHEIMAGEOFPIONEERWOMENWHOCEASELESSLYSTROVEANDPURSUEDTHEIRFREEDOMINTHEIROWNWAYINTHENOVEL,WILLACATHERWASDEEPLYCONCERNEDABOUTFEMININESOCIALPOSITION,BUTSHEAFFIRMEDFEMALESPOWERANDTHEIRINFLUENCEONTHERELATIONSHIPBETWEENNATURE,SOCIETYANDHUMAN,ANDEXPRESSEDHERPOSITIVEATTITUDETOWARDFEMALESSELFDEVELOPMENTMYANTONIAWASSOSUCCESSFULTHATWILLARDTHORP,ANAMERICANWRITER,SAID,“MYANTONIAISNOTNOLYCATHERSMASTERPIECEBUTONEOFTHECLASSICSINAMERICANLITERATURE”1960221ACCORDINGTOJAMESWOODRESS198736,WILLACATHERHERSELFTHOUGHTTHATTHISNOVELWASTHEGREATESTACCOMPLISHMENTINHERLIFEINADDITION,HLMENCKENPRAISEDTHATMYANTONIAWASNOTONLYWILLACATHERSBESTWORKBUTTHEMOSTPOPULARNOVELINTHEUSHISTORY2001102ACTUALLY,INLESSTHANTWOYEARSAFTERTHEPUBLICATIONOFTHISNOVEL,FEMALEOBTAINEDTHERIGHTTOVOTEFORTHISREASON,THISNOVELHADASIGNIFICANTIMPACTONTHEACHIEVEMENTOFFEMALESHUMANRIGHTANDOFTHETRUEVALUEOFLIFEINAMERICANSOCIETYATTHATTIMEASAGREATWORK,MYANTONIAHASATTRACTEDCRITICSGREATATTENTIONSINCEITSPUBLICATIONIN1918,THENOVELHASBEENINTERPRETEDFROMDIFFERENTPERSPECTIVES,SUCHASHISTORY,RACISM,FEMINISM,GROWINGNARRATIVE,ECOLOGICALCRITICISM,THEWRITINGSTYLEANDNARRATIVESKILL,ETCNEVERTHELESS,ONLYFEWRESEARCHERSHAVECOMPREHENSIVELYANALYZEDTHEFEMALEIMAGESINTHISBOOKASYETTHISTHESISTRIESTOSTUDYTHEIMAGESOFWOMEN,EXPOUNDINGTHEDEVOTIONANDFIDELITYOFTRADITIONALWOMENSIMAGESINTHEPATRIARCHALSOCIETYWITHADEMANDFORWOMENSCOMPLIANCEANDDOCILITYANDINTHETOUGHNATURALENVIRONMENTNEBRASKAPRAIRIEATTHESAMETIME,THETHESISPOINTSOUTTHATWOMENREALIZETHEIRDREAMANDBECOMEINDEPENDENTANDSUCCESSFUL,CREATINGTHEIMAGESOFASPIRANTANDSTRONGWILLEDWOMENFURTHERMORE,THISTHESISPROBESINTOTHEIMAGEOFFEMALECHARACTERSASSPIRITUALCOMPANIONSANDILLUSTRATESTHATMALEANDFEMALELIVEINPEACEWITHEACHOTHER,WHICHCONSTITUTESTHEMOSTHARMONIOUSSOCIETYFINALLY,THETHESISTRIESTOPRESENTCATHESVIEWSONWOMEN2RESEARCHMETHODTHETHESISISCONDUCTEDINTHEWAYSOFCLOSEREADING,LITERATUREREVIEW,ANDCASESTUDYWITHINTHEFRAMEWORKOFFORMALISTCRITICISM3AIMANDOBJECTIVESFROMTHEPERSPECTIVEOFFEMINISM,WILLACATHERPRAISEDTHEIMAGESOFSTRIVINGANDUNREMITTINGFEMALESINHERMYANTONABYEXPOUNDINGTHEFEMALEIMAGESINTHEMALEDOMINATEDSOCIETYANDINTHESEVEREENVIRONMENT,THISTHESISAIMSTOEXPLORETHETRADITIONALWOMENSIMAGEOFCOMPLIANCEANDDOCILITY,ANDTHETHESISCONDUCTSADETAILEDANALYSISOFWOMENSIMAGESASDREAMCATCHERSANDSTRONGMINDEDWOMENWHOMAKETHEIRDREAMSCOMETRUEANDGETFREEANDBECOMESUCCESSFULPERSONSWHATSMORE,THETHESISTRIESTOUSETHEIMAGESOFSPIRITUALCOMPANIONSTOEXPLAINTHATMENANDWOMENCANLIVEINHARMONYINADDITION,THETHESISTRIESTOPOINTOUTWILLACATHERSVIEWPOINTSCONCERNINGFEMALESATTHATTIMEALLTHESEWILLDEEPENOURDEEPUNDERSTANDINGOFWILLACATHERANDTHENOVELSTHEMEANDHELPUSHAVEABETTERUNDERSTANDINGOFFEMALEIMAGESINTHEPATRIARCHALSOCIETYTOSOMEEXTENT4RESEARCHQUESTIONSBYANANALYSISOFTHEWOMENIMAGES,THISTHESISTRIESTOSHOWTHREEKINDSOFFEMALEIMAGESTHEIMAGEOFDEVOTEDHOUSEKEEPERS,THEIMAGEOFINDEPENDENTDREAMCATCHERSANDTHEIMAGEOFSPIRITUALCOMPANIONSFURTHERMORE,THETHESISINTENDSTOPRESENTTHEIMAGEOFASPIRANTANDINDOMITABLEFEMALESINTHEPATRIARCHYSOCIETYMOREOVER,THETHESISTRIESTOSTATECATHERSPOINTOFVIEWONTHEIMAGESOFWOMENFORTHISPURPOSE,THISPAPERATTEMPTSTOANSWERTHEFOLLOWINGQUESTIONS1WHATISTHEIMAGEOFDEVOTEDHOUSEKEEPERS2WHATISTHEIMAGEOFINDEPENDENTDREAMCATCHERS3WHATISTHEIMAGEOFSPIRITUALCOMPANIONS4WHATARECATHERSOPINIONSONWOMEN5SCHEDULEDATEPROGRESSNOTESJULAUG2014PREPARINGFORTHEPROPOSALANDTOREVISETHEPROPOSALBEFORESEPT10TH2014PROPOSALCORRECTIONSANDREADYFORTHEPROPOSALBOOKREADINGDEFENSESEPTOCT2014READINGBOOKSONORIGINALHUMANITYANDCHARACTERETCANDREADYFORTHESISWRITINGNOVDEC2014FIRSTDRAFTWRITINGJANMAY2015FINALIZINGTHETHESISANDREADYFORTHESISDEFENSEDATACOLLECTION6OUTLINEOFTHETHESISBESIDESTHEINTRODUCTIONANDTHECONCLUSION,THETHESISISCOMPOSEDOFTHREECHAPTERSINTHEINTRODUCTION,THETHESISGIVESABRIEFINTRODUCTIONTOTHISMASTERPIECEANDTHENOVELISTSLITERARYACHIEVEMENT,REVIEWSONTHECURRENTRESEARCHSITUATIONATHOMEANDABROAD,EXPOUNDSTHETHEORETICALSIGNIFICANCEANDTHEPRACTICALVALUEOFTHERESEARCH,ANDOUTLINESTHESTRUCTUREOFTHEPAPERTHEFIRSTPARTPRESENTSTHETRADTIONALWOMENSIMAGEOFDEVOTEDHOUSEKEEPERSASMOTHERS,THEYAREBUSYINRUNNINGTHEIRHOUSESANDTHEYAREFULLOFSYMPATHY,HUMANITARIANANDCARINGFOREXAMPLE,COUNTRYGIRLSAREDILIGENTINTAKINGCAREOFTHEIRFAMILIESHIREDGIRLSARESELFLESSNESS,ANDANTONIABECOMESTHEEARTHMOTHEROFTHECUZAKSTHESECONDPART,TAKINGANTONIA,LENAANDTINYASTHREEEXAMPLES,ANALYZESWOMENSIMAGEASINDEPENDENTDREAMCATCHERSANDEXPLAINSHOWTHEYACHIEVETHEIRDREAMSINTHETRADITIONALLYPATRIARCHALSOCIETYTHETHREEGIRLSLEAVETHEIRFAMILIESANDWORKBYTHEMSELVESLINACONDUCTSHERDRESSMAKINGBUSINESSSUCCESSFULLYWHILETINYGETSAFORTUNEINTHEGOLDRUSHBOTHLINAANDTINAMOLDTHEIMAGEOFSTRONGWILLEDWOMENINTHEBUSINESSWORLDASFORANTONIA,WHOWASDOWNTRODDENBYCIRCUMSTANCEANDHARDWORK,SHEPURSUESHERMARRIAGEWITHLARRYDONOVANTHETHIRDPARTPROBESINTOTHEIMAGEOFSPIRITUALCOMPANIONSBYANALYZINGTHEBONDBETWEENANTONIAANDJIM,THEGIRLSFRIENDSHIPANDANTONIASPLEASANTFAMILYLIFEALLOFTHESESHOWTHATMANANDWOMENSHOULDLIVEINAMITYTHATSTHEMOSTNATURALANDHARMONIOUSPHENOMENAOFAHARMONIOUSSOCIETYINTHECONCLUSION,THETHESISRESTATESTHEMAINIDEAINDIFFERENTWORDSANDCOMESTOSEEKOUTWILLACATHERSPERSONALVIEWSONFEMALEINTRODUCTIONPART1THEIMAGEOFDEVOTEDHOUSEKEEPERS11COUNTRYGIRLSDILIGENCEINTAKINGCAREOFTHEIRFAMILIES12THESELFLESSNESSOFHIREDGIRLS13ANTONIASBEINGTHEEARTHMOTHEROFTHECUZAKSPART2THEIMAGEOFINDEPENDENTDREAMCATCHERS21ANTONIASPURSUITOFHERMARRIAGEWITHLARRYDONOVAN22LENASHUGESUCCESSINHERDRESSMAKINGBUSINESS23TINYSFORTUNESINCETHEGOLDRUSHPART3THEIMAGEOFSPIRITUALCOMPANIONS31THEBONDBETWEENANTONIAANDJIM32THEGIRLSFRIENDSHIPAMONGANTONIA,LENAANDTINY33ANTONIASPRECIOUSNESSTOHERHUSBANDCONCLUSION指导教师（导师组）意见签名年月日审查小组意见审查小组负责人（签名）年月日备注1、要有5篇以上相关文章的阅读量。2、理、工科开题报告撰写要求在1500字左右，人文社科开题报告在2500字左右，包括论文选题的背景和意义、工作任务分析、调研报告、方案拟定与分析、毕业论文撰写提纲及实施计划、文献综述（理、工科可不提交文献综述）等。3、电脑打印，用A4纸，页边距左边32CM，右边254CM,上下边距254CM，在左边装订；内容为小四号宋体，行距为固定值20磅。4、文献综述（按文献综述格式打印）附在开题报告后面一起装订。文献综述内容WILLACATHER,AFAMOUSAMERICANAUTHOR,ACHIEVEDRECOGNITIONFORHERNOVELSOFFRONTIERLIFEONNEBRASKAPRAIRIEANDWASAWARDEDTHEPULITZERPRIZEFORONEOFOURS1922,ANOVELSETDURINGWORLDWARICATHERSPRAIRIETRILOGY,INCLUDINGOPIONEER1913,THESONGOFTHELARK1915,ANDMYANTONIA1918,BECAMEBOTHPOPULARANDCRITICALLYSUCCESSFULCATHERWASCELEBRATEDBYHLMENCKENFORWRITINGINPLAINSPOKENLANGUAGEABOUTORDINARYPEOPLEALSO,SINCLAIRLEWISPRAISEDHERWORKFORMAKING“THEOUTSIDEWORLDKNOWNEBRASKAASNOONEELSEHASDONE”WIKIPEDIASINCEITSPUBLICATION,MYANTONIAWASCONSIDEREDAMASTERPIECEANDWASENTHUSIASTICALLYRECEIVEDIN1918,ANDPLACEDCATHERATTHEFOREFRONTOFWOMENNOVELISTSTODAY,ITISCONSIDEREDASHERMASTERPIECEWIKIPEDIAFORACENTURY,WILLACATHERANDHERWORKSHAVEATTRACTEDTHEATTENTIONOFMANYCRITICSESPECIALLYHERMYANTONIA,AGREATNOVEL,HASBEENRESEARCHEDBYDOMESTICANDFOREIGNSCHOLARSINRECENTYEARSFOREXAMPLE,JOHNACOCELLAINHISBOOKWILLACATHERANDTHEPOLITICSOFCRITICISMSHOWEDHISOWNOPINIONABOUTWILLACATHERANDARGUEDTHAT20THCENTURYCRITICSFROMTHELEFTANDRIGHTMISUSEDWILLACATHERANDHERWORKSFORTHEPURPOSEOFTHEIROWNNEEDS,WHICHEITHERIGNOREDOROBSCUREDCATHERSTRUEACHIEVEMENTINAMERICANLITERATUREJOHNACOCELL,2002INHISWILLACATHERALITERARYLIFE,JAMESWOODRESSTOOKINTOACCOUNTTHEINCREASINGCRITICISMOFCATHERANDINTRODUCEDTHATCATHERWASINLOVEWITHLIFEANDHERLITERARYLIFEWASFULLOFPASSIONSJAMESWOODRESS,1987MOREOVER,MILTONMELTZERINHISBOOKSWILLACATHERABIOGRAPHYDESCRIBEDCATHERSLIFEINDETAIL,SUCHASTHECATHERSBACKGROUNDANDHERMAJORACCOMPLISHMENTSANDAWARDSANDSOONMILTONMELTZER,2007INTHEIRWILLACATHERSGIFTOFSYMPATHY,EDWARDABLOOMANDLILLIANDBLOOMPOINTEDOUTTHATAMERICANSKEPTEUROPEANIMMIGRANTSATADISTANCEBECAUSEOFSNOBBERYANDCURIOSITYEDWARDABLOOMANDLILLIANDBLOOM,1962BESIDESTHERESEARCHOFWESTERNSCHOLARS,THERESEARCHESONWILLACATHERANDHERWORKSALSOFLOURISHINCHINANUMEROUSCRITICSHAVEAPPROACHEDTHISBOOKFROMDIFFERENTPERSPECTIVESSUCHASMYTH,ROMANTICISM,FEMINISMETCFORINSTANCE,INHERRESEARCH,FROMAPERSPECTIVESOFECOFEMINISM,LIYANFANGSTATEDTHATALTHOUGHBOTHNATUREANDWOMENWEREDEBASEDASTHEINFERIOROTHERINTHETRADITIONALPATRIARCHALSOCIETY,WOMENACHIEVEDTHESELFREALIZATIONANDNATUREPOSSESSEDPRODUCTIVITY,WHICHMADETHEMNOTINFERIOROTHERSHENCE,SHEBELIEVEDTHATEVERYLIFEFORMHADINTRINSICVALUEANDSHOULDBERESPECTEDEQUALLYSHEALSOPOINTEDOUTTHATONTHEBASISOFMUTUALRESPECTANDUNDERSTANDING,MENCOOPERATEWITHWOMENSOTHATAHARMONIOUSLIFECOULDBEESTABLISHEDBETWEENMANANDNATURE李艳芳，2010BYANALYZINGGENDERROLES,BAIYANGWROTETHATTHEMALECHARACTERSINTHEEARLIERWRITINGSOFCATHERTENDEDTOBEWEAKANDSUBORDINATE,WHILEFEMALESWEREINDEPENDENT,BRAVEANDTHEYPURSUESELFFULFILLMENTINADDITIONTOECONOMICINDEPENDENCE,WHATWASMORESIGNIFICANTFORFEMALESFREEDOMWASPSYCHOLOGICALINDEPENDENCE白杨，2012KEYANFENPRESENTEDTHATWOMENMUSTREGRESSTOTHEFIELDSANDGARDENSINORDERTOACHIEVEEQUALRIGHTSANDSTATUS,ANDTHEIMAGEOFANTONIACONTRIBUTEDTOTHEDEVELOPMENTOFSELFUNDERSTANDINGANDTHEBOOSTOFSELFCONFIDENCEFORWOMEN柯彦玢，1997）BYCOMPARISONOFOPIONEERANDMYANTONIA,CAICHUNLUDISCUSSEDTHATMODERNWOMENWERETHESYMBOLOFLIFEINTHEWESTERNFRONTIERANDTHEPROPAGATOROFNEWCIVILIZATION,ANDSHOWEDTHATMODERNFEMALESOPPOSEDTHEBONDAGEOFTHEIDEOLOGYOFPATRIARCHY蔡春露，1998）ALSO,INHISWORK,WANGHENGENSTATEDTHATWOMENPIONEERSOVERCAMEMOUNTAINSOFDIFFICULTIESWITHANUNSHAKABLEFAITHANDFINALLYREALIZEDTHEIRAMBITIONHEARGUEDTHATTHESUCCESSESOFPIONEERSPROMOTEDTHEDEVELOPMENTOFTHEAMERICANWEST（王恒恩，2009）FURTHERMORE,SONGWENFOCUSEDHISRESEARCHONTHERELATIONSHIPBETWEENANTONIAANDJIMANDFOUNDTHATANTONIABORETHEPROTOTYPEOFTHEEARTHMOTHER宋文，2001）INCONCLUSION,THEABOVEMENTIONEDSTUDIES,FROMAVARIETYOFAPPROACHES,HAVECONTRIBUTEDMUCHTOTHESTUDYOFWILLACATHERANDHISWORKS,ESPECIALLYMYANTONIAANDTHEIRSTUDIESHAVELAIDASOLIDFOUNDATIONFORMYRESEARCHBUTA